Metrika članka

  • citati u SCindeksu: 0
  • citati u Google Scholaru:[=>]
  • posete u prethodnih 30 dana:15
  • preuzimanja u prethodnih 30 dana:9
članak: 10 od 17  
Back povratak na rezultate
Zbornik radova Akademije umetnosti
2017, br. 5, str. 110-119
jezik rada: engleski
vrsta rada: neklasifikovan
doi:10.5937/ZbAkUm1705110M

Creative Commons License 4.0
Narativizacija porekla univerzuma kroz muziku - studija slučaja
aUniversity of Minnesota, School of Music, Minneapolis, USA
bMinnesota Institute for Astrophysics, Minneapolis, USA

e-adresa: manno012@umn.edu, nucko006@umn.edu, gkoud001@umn.e

Sažetak

Naš projekat je o sintezi jednog muzičkog dela, zasnovanog na vremenskoj liniji Univerzuma. Muziku možemo da tumačimo kroz vizuelne i gestovne analogije. Slično tome, da bi olakšali razumevanje, popularistički opisi naučnih koncepata takođe koriste spoljne metafore i vizelnu podršku. Koristićemo muziku kako bismo opisali jednu temu iz astrofizike, rođenje i evoluciju Univerzuma. Opisujemo kompozicionu tehniku koja je korišćena u stvaranju kompozicije Poreklo (Origin), ukazujući na nove tehnike stvaranja muzike od trodimenzionalnih slika i gestova, u svetlu matematičke teorije muzike u kontekstu naracije.

Ključne reči

Reference

*** (2007) Atlas Eclipticalis with Winter Music. u: Live, Cornish Theatre, Seattle, Washington, 11 December 1983 6:30 Pm, Mode, ASIN: B000MDH6AC, Audio CD (February 27, 2007), SPARS Code: DDD
Adhitya, S., Kuuskankare, M. (2012) Composing Graphic Scores and Sonifying Visual Music with the SUM Tool. u: Proceedings of the 9th Sound and Music Computing Conference (SMC 2012), Copenhagen, Denmark, pp. 171-176
beim Graben, P., Potthast, R. (2009) Inverse problems in dynamic cognitive modeling. Chaos: An Interdisciplinary Journal of Nonlinear Science, 19(1): 015103
Bernardis, P., Gentilucci, M. (2006) Speech and gesture share the same communication system. Neuropsychologia, 44(2): 178-190
Cage, J. (1950) Atlas Eclipticalis. Boosey & Hawkes
Charles, A. (2004) Diagrammes et Catégories comme prolégomènes àla question: Questce que sorienter diagrammatiquement dans la pensée?. u: Batt Noëlle [ur.] Penser par le diagramme-de Gilles Deleuze àGilles Châtelet, Vincennes: Presse Universitaire de Vincennes, 83-93
Coegnarts, M., Kravanja, P. (2015) Embodied Cognition and Cinema. Leuven: Leuven University Press
Dicke, R. H., Peebles, P. J. E., Roll, P. G., Wilkinson, D. T. (1965) Cosmic Black-Body Radiation. Astrophysical Journal, 142: 414
Dubus, G., Bresin, R. (2013) A Systematic Review of Mapping Strategies for the Sonification of Physical Quantities. PLoS ONE, 8(12): e82491
Esa-Pekka, S. (1995) Los Angeles Philarmonic Orchestra. Label: Ondine, Audio CD (February 1); ASIN: B00000377R
Hubble, E. (1936) Effects of Red Shifts on the Distribution of Nebulae. Astrophysical Journal, 84: 517
Iannis, X. (1971) Formalized Music. New York: Pendragon Press
Kaija, S. (1987) Nymphéa. Helsinki: Edition Wilhelm Hansen
Kyriaki, G. (2015) The evolution of musical narrative from Ancient Greece to contemporary cinema. Aristotles University of Thessaloniki, B.A. Thesis
Mannone, M. (2011) Dalla Musica allImmagine, dallImmagine alla Musica. Relazioni matematiche fra composizione musicale e arte figurativa / From Music to Images, from Images to Music. Mathematical relations between musical composition and figurative art. Palermo: Edizioni Compostampa
Mannone, M. (2017) Musical Gestures between Scores and Acoustics: A Creative Application to Orchestra. University of Minnesota, Ph.D. dissertation
Mannone, M. (2016) Introduction to Gestural Similarity in Music: An Application to the Orchestra. Under review
Mannone, M., Mazzola, G. (2015) Hypergestures in Complex Time: Creative Performance Between Symbolic and Physical Reality. Cham: Springer Nature, str. 137-148
Mazzola, G., Andreatta, M. (2007) Diagrams, gestures and formulae in music. Journal of Mathematics and Music, 1(1): 23-46
Nobile, L. (2011) Words in the mirror. Amsterdam: John Benjamins Publishing Company, str. 101-132
Pavlos, A., Frédéric, B. (2016) Processing of symbolic music notation via multimodal performance data: Brian Ferneyhoughs Lemma-Icon-Epigram for solo piano, phase 1. u: Proceedings of TENOR 2016, http://tenor2016.tenor-conference.org/papers/18_Antoniadis_ tenor2016.pdf
Penzias, A. A., Wilson, R. W. (1965) A Measurement of Excess Antenna Temperature at 4080 Mc/s. Astrophysical Journal, 142: 419
Rubbia, C. (1985) Experimental observation of the intermediate vector bosons W. Reviews of Modern Physics, 57(3): 699-722
Samoil, B. (2013) Introduction to Feynman Diagrams. Elsevier
Saunders, L.M. (1971) Categories for the Working Mathematician. Heidelberg: Springer
Spence, C. (2011) Crossmodal correspondences: A tutorial review. Attention, Perception, & Psychophysics, 73(4): 971-995
Spivak, D. (1978) Category Theory for the Sciences. Cambridge: MIT Press
Usnadze, D. (1924) Ein experimenteller Beitrag zum Problem der psychologischen Grundlagen der Namengebung. Psychologische Forschung, 5(1): 24-43
Visi, F., Miranda, E. (2016) Instrumental Movements to Physical Models: Mapping Postural and Sonic Topologies through Machine Learning. u: Porto International Conference on Musical Gesture as Creative Interface