- citations in SCIndeks: 0
- citations in CrossRef:0
- citations in Google Scholar:[
 ]
- visits in previous 30 days:10
- full-text downloads in 30 days:6
|
|
|
2020, vol. 12, iss. 1, pp. 36-52
|
|
Geometrical breakthrough in contemporary architectural design: Meta-materiality and fragmentation
Geometrijski iskorak u savremenom arhitektonskom dizajnu - metamaterijalnost i fragmentacija
Abstract
The study relates two historical categories that were not previously associated in this manner. One concerns the role of geometry in the transformation of space in the Gothic architecture, where geometric line made the position of physical forces visible for the first time. The second transformation that sees the release of anxiety in challenging the perspective was done in Mannerism by instrumentalisation of the metaphor using visual means of deformation and figuration. Today we experience both historical moments in a modified form of appearance, still trying to give a formal character to the matter of materiality. As it is not possible, this approach has resulted in fragmentation in the absence of a unitary radical critique of modernity. Fragmentation and metamateriality of contemporary architecture today represent a possible conceptualisation of space invoking all known forms of dematerialisation and disappearance of the world, including digitisation. Referring once again to the myths of the Tower of Babel, the Fall of Icarus, and the Wizard of Oz, in this experiment myth and discourse persist together, turning into the other and finding themselves in the other. Building architectural position between the extremes of the metamaterial and the fragmentary is a matter of breaking geometry of form and the idea of it.
Sažetak
Studija povezuje dve istorijske kategorije koje ranije nisu bile povezane na ovaj način. Jedna se tiče uloge geometrije u transformaciji prostora u gotici, gde je geometrijska linija prvi put učinila vidljivim položaj fizičkih sila. Druga transformacija koja oslobađa anksioznost u osporavanju perspektive učinjena je u manirizmu instrumentalizacijom metafore pomoću vizuelnih sredstava deformacije i figuracije. Danas oba istorijska momenta doživljavamo u modifikovanom pojavnom obliku, i dalje pokušavajući da pitanju materijalnosti damo formalni karakter. Kako to nije moguće, ovaj pristup je rezultirao fragmentacijom u odsustvu jedinstvene radikalne kritike modernosti. Fragmentacija i metamaterijalnost savremene arhitekture danas predstavljaju moguću konceptualizaciju prostora, pozivajući se na sve poznate oblike dematerijalizacije i nestajanja sveta, uključujući i digitalizaciju. Pozivajući se još jednom na mit o Vavilonskoj kuli, Ikarovom padu i Čarobnjaku iz Oza, mit i diskurs opstaju zajedno u ovom eksperimentu, pretvarajući se u drugog i nalazeći sebe u drugom. Izgradnja arhitektonske pozicije između ekstrema metamaterijalnog i fragmentarnog je stvar razbijanja geometrije forme i ideje o njoj.
|
|
|
|
References
|
|
4 
|
Bachelard, G. (1994) The poetics of space. Beacon Press
|
|
1
|
Barbaras, R. (2009) Invisibility at the heart of appearance: On perception, art and desire. in: Asgaard Andersen Michael [ed.] Paradoxes of Appearing: Essays on Art, Architecture and Philosophy, 169-185
|
|
1
|
Baudrillard, J. (2009) Why hasn't everything already disappeared?. Seagull Books
|
|
1
|
Bergson, A. (2013) Materija i pamćenje. Fedon
|
|
1
|
Bonito, O.A. (1977) A.B.O.M.D. Svetovi
|
|
|
Bonito, O.A. (1989) Ideologija izdajnika. Svetovi
|
|
1
|
Bourriaud, N. (2009) Formes de vie: Lart moderne et l invention de soi. Denoël
|
|
1
|
Bourriaud, N. (2017) L'exforme. Presses universitaires de France(PUF
|
|
3
|
Delez, Ž. (2009) Razlika i ponavljanje. Beograd: Fedon
|
|
1
|
Gavrić, Z., Bjelić, B., Eds. (1995) Marcel Duchamp - spisi - tumačenja. Bogovađa: Samizdat
|
|
1
|
Hauzer, A. (1966) Socijalna istorija umetnosti. Kultura
|
|
1
|
Hendrix, J. (2013) The contradiction between form and function in architecture. Routledge
|
|
2
|
Ibelings, H. (1998) Supermodernism: Architecture in the age of globalization. NAi Publishers
|
|
3
|
Jameson, F. (1991) Postmodernism, or, the cultural logic of late capitalism. London: Verso
|
|
|
Kaminer, T. Architecture crisis and resuscitation: The reproduction of post-fordism in late-twentieth-century architecture. Routledge, 201
|
|
2
|
Latur, B. (2010) Nikada nismo bili moderni. Mediterran Publishing
|
|
1
|
Lavin, S. (2015) Flash in the pan. Architectural Association Publications
|
|
2
|
Milenković, V. (2004) Arhitektonska forma i multi-funkcija. Beograd: Zadužbina Andrejević
|
|
1 
|
Mitrović, J., Milenković, V. (2017) Arhitektura kupole - mapiranje nebeske dubine. Theoria, 1(63): 163-175
|
|
21
|
Niče, F. (2012) Volja za moć. Dereta
|
|
1
|
Panofsky, E. (1999) Rasprave o osnovnim pitanjima nauke o umetnosti. Bogovađa: Samostalno izdanje
|
|
1 
|
Rabinow, P. (1988) Beyond ethnography: Anthropology as nominalism. Cultural Anthropology, 3(4): 355-364
|
|
2
|
Ricoeur, P. (2016) Architecture and narrativity. Études Ricoeuriennes / Ricoeur Studies, 7(2): 31-42, Translated by: Eileen Brennan; Robbie Carney; Samuel Lelièvre
|
|
2
|
Ricoeur, P. (2004) Memory, history, forgetting. Chicago: University of Chicago Press, Translated by: Kathleen Blamey and David Pellauer
|
|
1
|
Stevens, W. (1990) The collected poems of wallace stevens. New York: Vintage Books
|
|
2
|
Till, J. (2009) Architecture depends. The MIT Press
|
|
1
|
Vignjević, A. (2016) Metamaterijalnost - ahitektura i pejzažni kod. Univerzitet u Beogradu-Arhitektonski fakultet, Doktorska disertacija
|
|
2
|
Virilio, P. (1994) War and cinema. London: Verso
|
|
1
|
Wingham, I. (2013) Mobility of the line: Art architecture design. Birkhauser Verlag AG
|
|
|
|
|