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Genero
2016, br. 20, str. 1-29
jezik rada: srpski
vrsta rada: izvorni naučni članak
objavljeno: 30/01/2020
doi: 10.5937/Genero1620001B
Kritika dihotomnog sistema pola/roda i reprezentacija interseksualnosti u filmovima XXY i El último verano de la boyita
nema

e-adresa: sladjabrankovic89@gmail.com

Sažetak

Ovaj rad se bavi problemom reprezentacije interseksualnih nenormativnih telesnosti i identiteta u oblasti filma. To podrazumeva i preispitivanje binarnih polnih/rodnih kategorija i njihovih granica kroz fikcione filmske narative o interseksualnosti, polazeći od razumevanja pojma reprezentacije kao strategije proizvodnje značenja i analize diskurzivnih činioca koji regulišu dominantno tumačenje pojmova polnosti, rodnosti i subjekta, i najzad, njihove dekonstrukcije sa stanovišta teorija roda. Cilj ovog rada je da ispita na koji način je ponovnim promišljanjem ustanovljenih kategorija, sa stanovišta različitih filmskih teorija i teorija roda, moguće koncipirati drugačije pristupe reprezentaciji interseksualnosti i uspostaviti kritiku dihotomnog sistema pola/roda i nasilja koje produkuje, kao i šta različiti pristupi i strategije reprezentacije nenormativnih telesnosti impliciraju. U tom cilju su analizirani i interpretirani filmovi XXY (2007) i El último verano de la boyita (2009), uzimajući u obzir različite diskurzivne formacije koje, u datim kontekstima, oblikuju dominantno shvatanje polnosti/rodnosti i interseksualnosti, kao i narative dva filma. Ovi filmovi predstavljaju neka od prvih, retkih i bitnih ostvarenja koja poduzimaju drugačiji pristup problemu reprezentacije interseksualnosti, kroz čije se fikcione narative promišljaju potencijali intervencije u dominantni diskurs nenormativne telesnosti, odnosno potencijali redefinisanja i decentriranja uspostavljenih normi polnosti/rodnosti.

Ključne reči

interseksualnost; reprezentacija; film; rod; pol; performativnost; naturalizacija; dekonstrukcija pola/roda

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