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Ekstrovert i mizantrop - komparativna analiza virtuoznih aspekata i uticaja ličnosti u "Klavirskom koncertu br. 1" u Es-duru Franca Lista i Alkanovog "Koncerta za solo klavir"
An extrovert and a misanthrope: Comparative analysis of virtuoso aspects and the impact of personalities in Franz Liszt's Piano concerto No. 1 in E-Flat Major and Alkan's concerto for Piano solo
Sažetak
Kosmopolitski duh Franca Lista, ekstrovertnost i filozofski pristup stvaranju, u potpunosti su vidljivi u njegovim kompozicijama. Suprotno tome, opus njegovog bliskog prijatelja Šarla-Valentina Alkana, relativno zanemarenog "Berlioza klavira", pokazuje tragove njegovog introvertnog i naizgled mizantropskog temperamenta. U 19. veku, forma koncerta je stekla nove karakteristike koje su se ogledale u tehnici izvođača, kao i u opštem kreativnom pristupu. Opšte je poznato da je Listov "Koncert za klavir br. 1" u Es-duru važan evolutivni iskorak u ovom žanru, dok Alkanov "Koncert za solo klavir" predstavlja svojevrsni žanrovski hibrid. Ovaj rad će pokušati da odgovori na pitanje da li je moguće naći dodirne tačke između ova dva izvanredna kompozitora i, ako je tako, utvrditi ih. Pored toga, pokušaće se prepoznati njihovi međusobni uticaji, o kojima se može zaključiti iz istorijskih i biografskih podataka.
Abstract
Franz Liszt's cosmopolitan spirit, extroverted character and philosophical approach to creation are fully evident in his compositions. In contrast, the opus of his close friend Charles-Valentin Alkan, the relatively neglected "Berlioz of the Piano", shows the traces of his introverted and seemingly misanthropic temperament. In the 19th century, the solo concerto acquired new characteristics, reflected both in the performer's technique and in the general creative approach. It is generally known that Liszt's Piano Concerto No. 1 in E-Flat Major is an important evolutionary step forward in this genre, while Alkan's Concerto for Solo Piano represents a cross-genre hybrid of a kind. In this paper we will attempt to answer the question whether it is possible to find common ground between these two extraordinary composers, and if so, determine what it is. In addition, we will try to identify the reciprocal influences between them, the existence of which might be inferred from the historical and biographical data.
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