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Petar Kočić, naš savremenik
Petar Kočić, our contemporary
Sažetak
U radu se kroz prikaz životnog i književnog puta Petra Kočića, daje portret jednog od najdarovitijih pripovedača moderne srpske književnosti, ali i velikog borca za nacionalnu i socijalnu pravdu i neumornog zastupnika potlačenih i obespravljenih. Uz pregled najvažnijih tumačenja Kočićevog dela, rad ukazuje na polarizovanu sliku sveta koja nalazi svoj precizan odraz u njegovom književnom delu, gde često nailazimo dosledno realizovane simbolističke dihotomije poput parova ljubav-smrt, patrijarhalno-moderno, planina (sloboda) i grad (ropstvo), ili staro-novo, pri čemu je vrednosna skala uvek na strani prošlog, starinskog, čestitog, dakle onog pre kolonizacije i dolaska tuđinske vlasti. Ipak, duhovni prostor je oduvek bio i prostor najslobodnijeg ljudskog delovanja, pa dovitljivi Kočićevi gorštaci odnose svoje jedine pobede nad 'glavatom gospodom' upravo u slobodnoj igri duha, koja svoj odraz nalazi čas u vedrom, čas u gorkom humoru i prvenstveno u zanosnom, bogatom kočićevskom jeziku, punom tvoračke i vitalne snage.
Abstract
In the presentation of Petar Kočić's life and literary path, this paper pictures a portrait of one of the most talented narrators of modern Serbian literature and a great fighter for national and social justice, also a tireless representative of the oppressed and disenfranchised. With an overview of the most important interpretations of Kočić's work, this paper points to the polarised view of the world, which finds its accurate reflection in his literary work, where consistently implemented symbolic dichotomies are found in pairs such as modern -patriarchal, mountain (freedom) and the city (slavery), or old-new, where the scale of values is always on the side of the past, old-fashioned, honest, that is, before the colonisation and the arrival of foreign rule. However, the spiritual space has always been the freest space of human activity, so resourceful Kočić's highlanders gain their victories over 'Mr. Big Shots' right there in the free play of spirit, which finds its reflection times in a bright, times in a bitter humour, but primarily in ecstatic and rich Kočić's language, full of creative and vital force.
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