2010, vol. 7, br. 16, str. 9-19
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Testamentarno i igrajuće pisanje
Testamentary and carefree writing
Univerzitet u Novom Sadu, Filozofski fakultet
Sažetak
U tekstu se analizira takozvano igrajuće pisanje koje se temelji na postulatima poststrukturalističke filozofije po kojoj tekst više ne može biti polje ekspresije subjekta. Na taj način subjekt pisanja se distancira od tela koje podseća subjekt na njegovu propadljivost. Dominantnom igrajućem pisanju, kome odgovara i igrajuće čitanje, oslobođeno brige za glas drugog u tekstu, u ime samog teksta, suprot stavlja se koncepcija testamentarnog pisanja. Ona polazi od ideje da u trenutku suočavanja subjekta pisanja sa smrću - a to je pozicija pisanja testamenta - ideja rasredištenog subjekta postaje iluzija te da u toj situaciji dolazi do spajanja subjekta i njegovog tela. Kao primer testamentarnog pisanja uzima se scena iz Knjige o Jovu u kojoj Jov želi da zapiše svoje muke i ostavi ih večnosti. To jovovsko pisanje shvaćeno je kao reakcija na smrt. Ono simbolizuje pisanja koje se otima moći diskursa, kako bi putem takvog pisanje subjekt izrazio sebe i svoje telo. u na stavku rada analiziraju se dve osobine testamentarnog pisanja: razumljivost ovog pisanja i bliskost koja povezuje subjekt pisanja i njegove i zabrane čitaoce.
Abstract
The text offers an analysis of the so-called 'insouciant writing', the concept framed by the tenets of post-structuralist theory which postulates that the text cannot perform as the site of subject expression, which in turn divorces the writing subject from the body perceived as the metaphor of the decaying nature of the subject. disregardful of the voice of the other in the text, in furtherance of the text itself, the prevailing 'insouciant writing', complemented by the 'insouciant reading', is opposed by the concept of testamentary writing. The line of argument behind it states that when the writing subject is faced with death - writing his last will and testament - the idea of a decentered subject becomes an illusion as the subject is united with his body. The scene from The Book of Job where job wishes to write his afflictions down for eternity is taken as an example of testamentary writing. This jobian writing is understood as a likely response in the face of impending death. it symbolizes a kind of writing that escapes the power of discourse, allowing the subject of such writing to express his self and his body. The paper, then, focuses on two features of testamentary writing: the intelligibility of such writing and the level of closeness between the writing subject and his target readership.
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