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2010, br. 126-2, str. 92-103
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Zagrljaj u pokretu - tango između individualnog doživljaja i društvene prakse
Embrace in motion: Tango between individual experience and social practice
Univerzitet umetnosti u Beogradu, Fakultet dramskih umetnosti
Sažetak
Predmet interesovanja su prostori u kojima se dešavaju susreti između tango plesača i gde ljudi više različitih nacionalnosti i identiteta praktikuju ovaj ples, koristeći Argentinu kao moćnu referentnu tačku, ali u isto vreme konstituišući različite tango izraze. Nove informacione tehnologije, promene u mas-medijima, povećana mobilnost i protok ljudi, promenljive prakse subjektivizacije, zajedno sa intenzivnim i nekad suprotstavljenim životnim 'kulturnim poetikama' - sve su deo onoga što čini mogućim formiranje autentične tango društvene prakse. Koje su mogućnosti u datoj situaciji za pokret i brzinu tela tango plesača u najintimnijem prostoru koji oni dele, izraženom kroz određeno shvatanje zagrljaja, i određeno shvatanje hoda tj. koraka? U kojim se sve okolnostima i okruženju aktualizuje zagrljaj? Kako javni izraz zagrljaja otvara prostor za poluprivatno otelovljenje zagrljaja u društvenoj areni? Ovde se bavimo istraživanjem transnacionalne 'dinamike' tango plesa, kao i ontološkim dimenzijama tango plesa.
Abstract
The topic in focus encompasses the spaces in which the gatherings of tango dancers occur and where people of different nationalities and identities practice this dance, using Argentina as a powerful referent point, but at the same time constituting various tango expressions. New information technologies, changes in mass media, increased mobility and flow of people, changing practices of subjectivity together with intensive and occasionally confronted life 'cultural poetics'- all become part of what makes possible the formation of authentic tango social practice. What are the possibilities in the given situation for the movement and the speed of the tango dancers' bodies in the most intimate space they share, expressed through a particular notion of the embrace as well as of the walk / the steps? What are the circumstances and environments in which the embrace is being actualized? How does the public expression of the embrace open the space for the semi-private embodiment of the embrace in the social arena? This paper is about to research the transnational 'dynamics' of tango as well as the ontological dimensions of this dance.
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