2007, vol. 12, br. 2-3, str. 143-150
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Pokušaj geneaološkog sagledavanja istorijskog romana kao žanra u srpskoj književnosti za decu
Attempt of genealogical comprehension of historical novel as a genre in Serbian literature for children
Viša škola za obrazovanje vaspitača, Kikinda
Sažetak
U periodu od druge polovine 20. veka roman kao žanr zauzima vidno mesto i u književnosti za decu. Moderni srpski roman u literaturi za najmlađe tumačen je u okviru celokupnog progresivnog razvoja ovog žanra u srpskoj književnosti, kada je počelo da se govori o 'vremenu romana'. Data jezgrovita formulacija izražava dominirajući položaj ovog žanra koji je, ispoljivši snagu i vitalnost, pokazao ne samo da se nalazi u neprestanom razvoju, već i da je kadar da udovolji zahtevima uslovljenim razvitkom idejno-estetskih kriterijuma savremene književnosti Polazeći od pretpostavke da i roman u književnosti za decu treba sagledavati u okviru opšteg razvitka ovog žanra, ne zanemarujući osobenosti literarnog stvaralaštva za najmlađe, autor je pokušao da u ovom radu ukaže na neke od mogućnosti viđenja razvojnog puta srpske književnosti za decu pažnju posvetivši romanima sa istorijskom tematikom u literaturi za najmlađe.
Abstract
Since the second half of the XX century novel, as a genre, has occupied a prominent position in literature for children. Modern Serbian novel in literature for the youngest has been interpreted within the general progressive development of this genre in Serbian literature since the notion 'the days of novel' has come into use. The stated concise formulation reflects the dominant position this genre has and which has, by expressing its power and vitality, showed not only that it is constantly developing but that it is also able to satisfy the requirements set by the development of idea-aesthetic criteria of modern literature. Starting with the hypotheses that novel in literature for children should also be interpreted within the general development of this genre, not ignoring the characteristics of literary work for the youngest, the author has tried to point out with this paper to some of the possibilities of interpreting the road that Serbian literature for children has been going through, focusing on historical novels in literature for children.
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