This article covers the new possibilities of the Bauhaus worldview: the creation of new forms for depicting human ideals through a focus on aesthetics and technology, combined with Niemeyer's impact on architecture and design. New styles and shapes have arisen as offshoots from Bauhaus, conveying the values of each culture through the construction of a collective "picture" world. The Bauhaus of today expresses the culture industry, dialectically considering innovation and applied art as a path from the modern design of the industrial revolution to "eco-design." In this sense, Bauhaus is still significant in its role, linking together art, technology, and industry. Innovation as a dynamic determination of the moment, present in all epochs, is understood as a potent force for maintaining tradition. In addition to a chronological record of the influence of Bauhaus, the significant projects of Niemeyer are discussed. Finally, two perspectives on the "schism" between architecture and technology are presented. The first perspective concerns the human ability to create models in architectural practice for adoption as a configuration of the space. The second relates the evolution of technologies leading to the imagined becoming a reality through time, as described by Hegel (1823).