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2018, vol. 10, br. 2, str. 107-118
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Istraživanje ideja naših čula - istraživanje Kantove sposobnosti mašte u Ungerovim "Metaforama grada"
Exploring ideas in our senses Kant's faculty of imagination explored in Ungers 'City metaphors'
Sažetak
Čula i ideje, kako se oni susreću? Povezanost sfere čula i čistog uma se nalazi u filozofiji Imanuela Kanta, posebno u njegovoj teoriji o ljudskoj sposobnosti maštanja. Ovaj tekst analizira njegove ideje u pogledu tog svojstva, a posebno koncepta slobodne igre. Kroz primere kreativnih procesa arhitekata, pokazaću kako slobodna igra između sposobnosti mašte i spoznaje menja našu percepciju. U tom stanju percepcije, ideje nastaju iz naših čulnih inputa. Osvald Ungers (Oswald M. Ungers) je dalje obrazložio da ideja daje život njegovim kreacijama u svojoj publikaciji "Metafore grada", koja je i glavna referenca ovog rada. Po njegovom tumačenju, "Metafore grada" mogu temeljno pokazati ovo izmenjeno stanje percepcije ukoliko je povezano sa Kantovim teorijama i njegovim shvatanjem mašte. "Metafore grada" mogu čak biti posmatrane i kao istraživanje mašte koje zadire u slobodnu igru. U svom zaključku ću koristiti projekte Le Korbizjea i Alvara Alta kako bih ilustrovala značaj mašte u datim primerima projektantskog procesa.
Abstract
Senses and ideas, how do they meet? The connection of the sensory realm and pure reason is found in Immanuel Kant's philosophy, particularly in his theory of the faculty of imagination. This paper examines his ideas concerning this capacity, especially his notion of the free play. With examples of the creative processes of architects I will demonstrate that the free play between the capacity of imagination and cognition alters our perception. In that state of perception ideas arise from the sensory input. Oswald M. Ungers has expounded on the idea giving life to his creations in his publication City Metaphors, which is a focal reference for this paper. In the interpretation of the author City Metaphors can display this altered state of perception profoundly if they are connected to Kant's theories and his understanding of the imagination. The "City Methaphors" can even be seen as an exploration of the faculty of imagination entering into the realm of free play. In my conclusion I will use designs of Le Corbusier and Alvar Aalto to illustrate the potential of the faculty of imagination in the examples of concrete design processes.
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Reference
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Guyer, P. (2011) Kant and the Philosophy of Architecture. Journal of Aesthetics and Art Criticism, 7-19, winter
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Kant, I. (1998) Critique of Pure Reason. New York: Macmillan
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Kant, I. (1911) Critique of Judgement. Oxford University Press
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Maak, N. (2010) Der Architekt am Strand. Le Corbusier und das Geheimniss der Seeschnecke. München: Hanser Verlag
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Schinkel, K.F. (1979) Das Religiöse Gebäude. u: Peschken Gerd [ur.] Das Architektonische Lehrbuch, München-Berlin: Deutscher Kunstverlag, H. IV B 10-15, 31-32
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Ungers, O.M. (1982) City Metaphors. u: Architecture and Thinking. Morphologie. City Metaphors, Köln: Walter König, Available at: https://de.scribd.com/doc/312492197/OM-Ungers-City-Metaphors-Architecture-and-Thinking
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