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2014, vol. 6, br. 1, str. 43-62
Bauhaus Teatar - Oskar Šlemerov koncept "dizajna u pokretu"
Univerzitet umetnosti u Beogradu, Fakultet muzičkih umetnosti
Projekat:
Identiteti srpske muzike u svetskom kulturnom kontekstu (MPNTR - 177019)

Ključne reči: bauhaus teatar; sskar šlemer; koncept dizajna-u-pokretu; vizuelna scena; mehanički/metafizički; ljudsko telo u prostoru; artificijena figura; triadski balet
Sažetak
Bauhaus Teatar je dobio svoju najpotpuniju formu kroz umetnički, pedagoški i teoretski rad Oskara Šlemera. Ključni problem za Šlemera je bio zakon kretanja ljudskog tela u prostoru. Njegova poetika je podrazumevala antinarativno i antimimetičko pozorište i isto tako široko rasprostranjenu upotrebu scenskih figura uz živopisnu artikulaciju prostora kao svoje primarne namene. Ljudsko telo na sceni, pretvoreno u artificijelnu figuru, je bilo univerzalni simbol ljudskog bića definisanog suprotnostima, koje postoji u geometrijski datom prostoru i određuje ga metafizički. Upotreba termina "igra" u većini naslova Šlemerovih komada je u skladu sa koncepcijom scenskog događaja kao scenske igre artificijelne figure u geometrijski određenom prostoru, Koncept dizajn-u pokretu, što znači organizacija scene sa specifično mehaničkim-koreografskim kretanjima i rad sa formom i bojom, određuje Šlemerovu scenu kao apsolutnu vizuelnu scenu. U okviru Bauhausa, scenski rad Oskara Šlemera je doprineo razumevanju pozorišnog događaja kao podjednako značajne oblasti umetničkog dela za dizajn celine prostora u kojoj je uspostavljen skald između čoveka, njegovog životnog procesa i okruženja u kome čovek postoji.
Reference
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O članku

jezik rada: engleski
vrsta rada: izvorni naučni članak
DOI: 10.5937/SAJ1401043N
prihvaćen: 03.02.2014.
objavljen u SCIndeksu: 16.07.2021.

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