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2010, vol. 2, br. 3, str. 239-254
Metropolis and post-modern metropolis as a critical field of modern mimicry
(naslov ne postoji na srpskom)
International School of Photography, ArchiTopos, New York, United States of America
Ključne reči: mimetic; signs; symbology; semiology; mimesis; mechanical reproductions; technological innovations; avant-garde; aesthetic; abstractions
Sažetak
(ne postoji na srpskom)
Hegel's analysis and definition of the work of art in the Esthetic foretold transformation in visual communication and perception of arts in the advertising age. During the transformative period of economy into money economy fundamental social and cultural ruptures introduced new methods of transgression in forms expression and conception of meaning in arts, and by implication, in architecture. Aesthetic radically departed from the norms of figuration in the classical art into symbolic reading. These exigencies in style and conception reflected the new consciousness that was impinged on by the age of sciences and mechanical reproduction.
Reference
Benjamin, W. (1973) Illuminations: Essays and Reflections. New York: Harcourt Brace Jovanovich
Benjamin, W. (1978) Reflections: essays, aphorisms, autobiographical writings. New York: Harcourt Brace Jovanovich
Kraucer (1995) The Mass Ornament. u: The Mass Ornament: Weimer Essays, Cambridge, MA: Harvard University Press, pp. 75-88
Rossi, A. (1982) The Architecture of the City. The Institute for architecture and Urban Studies
Tafuri, M. Architecture and Utopia, 'Architecture and its Double: Semiology and Formalism'. Cambridge, Mass: The MIT Press, p.150-160
 

O članku

jezik rada: engleski
vrsta rada: izvorni naučni članak
DOI: 10.5937/SAJ1003239S
prihvaćen: 12.09.2010.
objavljen u SCIndeksu: 16.07.2021.

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