Hronotop Kosova i Metohije u "Gavranovom poljupcu" Novice Sovrlića
Chronotop of Kosovo and Metohija: 'The Raven kiss' Novica Sovrlić
Univerzitet u Prištini sa privremenim sedištem u Kosovskoj Mitrovici, Učiteljski fakultet, Prizren-Leposavić
e-adresa: snezana.bascarevic@pr.ac.rs
Projekat: Materijalna i duhovna kultura Kosova i Metohije (MPNTR - 178028)
Sažetak
Zbirka pesama Gavranov poljubac Novice Sovrlića vezana je za hronotop Kosova i Metohije, za duh i svest srpskog naroda, za sakralno i svetovno nasleđe i tradiciju, ali i za moderne senzacije. Rad ima za cilj da ukaže na pesme koje otvaraju pitanje opstanka srpskog naroda na kosovskometohijskoj zemlji u sadašnjem trenutku, pitanje rodoljublja, pravoslavlja, vaskrsavanja slavjanstva. Kosovo i Metohija je u ovoj zbirci predstavljeno kao kult srpskog naroda, kao liturgija srpske književnosti, kao duhovni centar. Novica Sovrlić je različitim poetskim dometima temu Kosova i Metohije shvatio kao lični tragizam u okviru kolektivnog stradanja. Iz tog razloga će istraživanje primenom analitičko - sintetičke metode biti nužno. Izvešćemo zaključak da su najuspešnije one pesme u kojima se prožima srednjovekovno i moderno i da su pesme ove zbirke sklone tradiciji, ali ne prelaze u tradicionalizam, jer pesnik u njima koristi tekovine modernog pesništva. Kroz Sovrlićevu pesničku intimu izražena je patnja srpskog naroda na Kosovu i Metohiji i osim Kosova i Metohije nema drugog imenitelja. Njegova poezija jeste ispovest i lični doživljaj, ali i dokumentovana stvarnost o stradanju, izbeglištvu i zavičaju, jer je pitanje kosovskometohijske poezije ujedno i pitanje opstanka srpskog naroda i bol za kosovskometohijskom zemljom. Hronotop Kosova i Metohije je za Novicu Sovrlića opkoljeno carstvo nebesko.
Abstract
Collection of poems The Raven kiss Novica Sovrlić novel is related to the chronotop of Kosovo and Metohija, for the spirit and consciousness of the Serbian people, for sacred and world heritage and tradition, but also for modern sensations. The aim of the paper is to point out the poems that open the question of the survival of the Serbian people in the Kosovar region at the present moment, the question of patriotism, Orthodoxy, the resurrection of Slavs. Kosovo and Metohija is presented in this collection as a cult of the Serbian people, as liturgy of Serbian literature, as a spiritual center. Novica Sovrlić understood the various poetic achievements of the topic of Kosovo and Metohija as a personal tragedy within the framework of collective suffering. For this reason, research using an analytical - synthetic method will be necessary. We will conclude that the most successful are the songs in which medieval and modern music are permeated and that the songs of this collection are prone to tradition, but do not go into traditionalism, because the poet uses them in modern poetry. Through Sovrlić's poetic intimacy, the suffering of the Serbian people in Kosovo and Metohija is expressed and there is no other denominator other than Kosovo and Metohija. His poetry is a confession and personal experience, but also a documented reality of the suffering, refugees and homelands, because the issue of Kosovo-metohian poetry is also a question of the survival of the Serbian people and the pain for the Kosovar-Metohija country. The chronotopos of Kosovo and Metohija is surrounded by the Celestial Empire for Novica Sovrlić.
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