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2021, vol. 13, br. 3, str. 177-186
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Ne živeti u pećinama - fenomeni i slike zemlje i skloništa
Not living in caves: Phenomena and images of the land and shelter
Curtin University, School of Design and the Built Environment, Perth, Australia + Creative Practice Petokraka, Belgrade
e-adresa: aleksa@petokraka.com
Sažetak
"E sad, to je kao u onom filmu 'The Croods' - ljudi su želeli da ostanu u pećini. Neki su želeli da ostanu u pećini, a TA mlada devojka, želela je da izađe i ponovo živi i da se nosi sa izazovima života u drugačijem svetu." Rad prikazuje lično iskopavanje širokog koncepta unutrašnjosti, njegovih značenja i višestrukih aspekata. Tačnije, njegova moćna prostorna poetika ukorenjena je protiv tradicionalnih pogleda koji se generalno koriste u i oko arhitektonske profesije. Zadržan je na različitim čitanjima koristeći lokalni društveno-politički kontekst neobičnog mesta zapadne Australije kao šarenu pozadinu u svrhu interpretacije. Reč je o subjektivnim realnostima i njihovom odnosu. Iako je pokrenut svakodnevnim životom ovde i sada, on odražava mnogo širu sliku ljudskog stanja našeg vremena i sveprisutnog koncepta pećine, krajnje ljudske kolevke ugrađene u naše jezgro. Priča je i o poreklu i svemu što počinje u pećini. "Ali ne razume se koliko sigurno i toplo mora biti u toj WA pećini [...]".
Abstract
Now, it's like that movie in 'The Croods' - people wanted to stay in the cave. Some wanted to stay in the cave, and that young girl, she wanted to go out and live again and deal with the challenges of living in a different world.1 The work is showcasing a personal excavation of the broad concept of interiority, its meanings and multifaceted aspects. More specifically, its potent spatial poetics rooted against traditional views generically used in and around the architectural profession. It is dwelled upon various readings using the local socio-political context of a peculiar place of Western Australia as a colourful backdrop for interpretative purpose. It is about subjective realities and their relation. While being set off by the day-to-day here and now, it reflects a much larger image of the human condition of our time and the ever-present concept of a cave, the ultimate human cradle embedded in our core. The story is also about the origin and everything that starts within the grotto. 'But that fails to appreciate how safe and warm it must feel in that WA cave [...]'2.
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*** WA's economy best in world during Covid-19 pandemic. National Mining Day; https://www. miningday.com.au/was-economy-best-in-world-during-covid-19-pandemic
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