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2020, vol. 12, br. 1, str. 36-52
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Geometrijski iskorak u savremenom arhitektonskom dizajnu - metamaterijalnost i fragmentacija
Geometrical breakthrough in contemporary architectural design: Meta-materiality and fragmentation
Sažetak
Studija povezuje dve istorijske kategorije koje ranije nisu bile povezane na ovaj način. Jedna se tiče uloge geometrije u transformaciji prostora u gotici, gde je geometrijska linija prvi put učinila vidljivim položaj fizičkih sila. Druga transformacija koja oslobađa anksioznost u osporavanju perspektive učinjena je u manirizmu instrumentalizacijom metafore pomoću vizuelnih sredstava deformacije i figuracije. Danas oba istorijska momenta doživljavamo u modifikovanom pojavnom obliku, i dalje pokušavajući da pitanju materijalnosti damo formalni karakter. Kako to nije moguće, ovaj pristup je rezultirao fragmentacijom u odsustvu jedinstvene radikalne kritike modernosti. Fragmentacija i metamaterijalnost savremene arhitekture danas predstavljaju moguću konceptualizaciju prostora, pozivajući se na sve poznate oblike dematerijalizacije i nestajanja sveta, uključujući i digitalizaciju. Pozivajući se još jednom na mit o Vavilonskoj kuli, Ikarovom padu i Čarobnjaku iz Oza, mit i diskurs opstaju zajedno u ovom eksperimentu, pretvarajući se u drugog i nalazeći sebe u drugom. Izgradnja arhitektonske pozicije između ekstrema metamaterijalnog i fragmentarnog je stvar razbijanja geometrije forme i ideje o njoj.
Abstract
The study relates two historical categories that were not previously associated in this manner. One concerns the role of geometry in the transformation of space in the Gothic architecture, where geometric line made the position of physical forces visible for the first time. The second transformation that sees the release of anxiety in challenging the perspective was done in Mannerism by instrumentalisation of the metaphor using visual means of deformation and figuration. Today we experience both historical moments in a modified form of appearance, still trying to give a formal character to the matter of materiality. As it is not possible, this approach has resulted in fragmentation in the absence of a unitary radical critique of modernity. Fragmentation and metamateriality of contemporary architecture today represent a possible conceptualisation of space invoking all known forms of dematerialisation and disappearance of the world, including digitisation. Referring once again to the myths of the Tower of Babel, the Fall of Icarus, and the Wizard of Oz, in this experiment myth and discourse persist together, turning into the other and finding themselves in the other. Building architectural position between the extremes of the metamaterial and the fragmentary is a matter of breaking geometry of form and the idea of it.
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