- citati u SCIndeksu: 0
- citati u CrossRef-u:0
- citati u Google Scholaru:[
 ]
- posete u poslednjih 30 dana:9
- preuzimanja u poslednjih 30 dana:7
|
|
|
2020, vol. 12, br. 2, str. 138-153
|
|
Supermoći montaže - istraživački eksperiment vođen dizajnom
Superpowers of montage: A design-driven research experiment
Ključne reči: montaža; slike; istraživanje zasnovano na dizajnu; istraživanje dizajnom; metode arhitektonskog istraživanja; alati za istraživanje dizajna
Sažetak
Ovaj rad predstavlja jedan segment višedelnog eseja koji istražuje "supermoći" montaže. Glavni cilj eseja je da se temeljno ispitaju neotkrivene teritorije u međuprostoru između različitih disciplina - uglavnom arhitekture, ali i filma i drugih vizuelnih umetnosti, u kojima je montaža kao tehnika dobila izuzetno različite oblike. Cilj ovog rada je da predstavi interdisciplinarni istraživački eksperiment vođen dizajnom, koji je koristio tehniku montaže kao alat za istraživanje dizajna. U ovom eksperimentu montaža nije korišćena samo kao tehnika reprezentacije, već je korišćena kao glavni kompozicioni i logički princip u kreativnom procesu. Stoga, ovaj rad ima za cilj da definiše i detaljno opiše sedam prilično različitih faza istraživačkog eksperimenta vođenog dizajnom. Ovo interdisciplinarno istraživanje pokušava da doprinese tekućoj diskusiji o montaži u arhitektonskom projektovanju i istraživanju, kao i nedavno uspostavljenom istraživačkom polju vođenom dizajnom, koje se fokusira na vrednovanje razmišljanja o dizajnu, metodologije istraživanja dizajna i doprinosa znanju koje je omogućio dizajn.
Abstract
This paper presents one segment of a multi-part essay that investigates the 'superpowers' of montage. The main goal of the essay is to thoroughly examine the uncharted territories in the interspace between various disciplines - mainly architecture, but also film and other visual arts, in which montage as a technique has taken remarkably diverse forms. The aim of this particular paper is to present an interdisciplinary design-driven research experiment, which used montage technique as a design research tool. In this experiment, montage was not only used as a representation technique, rather it was employed as a main compositional and logical principle in the creative process. Therefore, this paper aims to define and describe in detail seven fairly distinct phases of design-driven research experiment. This interdisciplinary research attempts to contribute to the ongoing discussion on montage in architectural design and research, as well as to the recently established design-driven research field, which focuses on valuation of design thinking, design research methodologies and knowledge contributions made possible by design.
|
|
|
|
Reference
|
|
|
Allen, S. (2009) Architecture, technique + representation. Abingdon: Routledge
|
|
1
|
Benjamin, W. (1968) The work of art in the age of mechanical reproduction. New York: Schocken Books
|
|
|
Buckley, C. (2019) Graphic assembly: Montage, media, and experimental architecture in the 1960s. Minneapolis: University of Minnesota Press
|
|
1
|
Candy, L. (2006) Practice based research: A guide. Sidney: University of Technology Sydney, CCS Report: 2006-V1.0 November
|
|
1
|
Colomina, B. (1994) Privacy and publicity: Modern architecture as mass media. Cambridge: MIT Press
|
|
|
Cook, D.A. (2016) A history of narrative film. New York: W. W. Norton & Company
|
|
|
Eisenstein, S.M. (1949) Methods of montage. u: Leyda Jay [ur.] Film Form, Essays in Film Theory, New York-London: Harcourt, 72-83
|
|
|
Eisenstein, S.M. (1949) Dialectic approach to film form. u: Leyda Jay [ur.] Film Form, Essays in Film Theory, New York-London: Harcourt, 45-63
|
|
|
Galofaro, L. (2020) Inside: A grammar of the image. Villardjournal, 2: 65-70
|
|
|
Galofaro, L. (2017) On the idea of montage as form of architecture production. Proceedings 2017 (870), 1-9
|
|
|
Huberman, G. (2008) Images in spite of all: Four photographs from Auschwitz. Chicago: The University of Chicago Press
|
|
|
Kieran, S. (2007) Research in design: Planning doing monitoring learning. Journal of Architectural Education, 61(1): 27-31
|
|
|
Linder, M. (2012) Images and other stuff. Journal of Architectural Education, 66(1): 3-8
|
|
2
|
Pallasmaa, J. (2011) The embodied image: Imagination and imagery in architecture. West Sussex: John Wiley & Sons Ltd
|
|
|
Pedersen, P.C. Nested perspectives on design-driven research. u: CA2 RE | CA2 RE+ Hamburg: Book of Abstracts
|
|
|
Rocca, A., Postiglione, G. (2020) Caring about design-driven research. u: CA2 RE | CA2 RE+ Online Conference for Artistic and Architectural Research Book of Proceedings, 28-30 October, Milano
|
|
|
Rocca, A. (2020) Research vs. design: A favorable conflict. u: CA2 RE | CA2 RE+ Online Conference for Artistic and Architectural Research Book of Proceedings, 28-30 October, Milano
|
|
|
Stierli, M. (2018) Montage and the metropolis: Architecture, modernity, and the representation of space. New Haven-London: Yale University Press
|
|
1
|
Tafuri, M. (1987) The sphere and the labyrinth. Cambridge: The MIT Press
|
|
2
|
Tafuri, M. (1980) Theories and history of architecture. London: Granada Publishing
|
|
|
Teitelbaum, M. (1992) Montage and modern life: 1919-1942. Cambridge: The MIT Press
|
|
|
Till, J. (2008) Three myths and one model. Building Material, 17: 4-10; Dublin
|
|
|
Vertov, D. (1984) Kino-eye: The writings of Dziga Vertov. Berkeley: University of California Press
|
|
|
Vidler, A. (2019) The Eisenstein effect architecture and narrative montage in Sergei Eisenstein and le Corbusier. u: Dimendberg Edward [ur.] The Moving Eye: Film, Television, Architecture, and the Modern, New York: Oxford University Press, 57-76
|
|
|
|
|