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2018, br. 158, str. 90-101
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Poslednji dani holandskog slikara u filmu 'S ljubavlju, Vinsent' - misterija Van Goga
The final days of the Dutch painter in the film 'Loving Vincent'
Univerzitet u Novom Sadu, Akademija umetnosti
Ključne reči: Vinsent van Gog; filmska interpretacija; filmska umetnost
Keywords: Vincent Van Gogh; film interpretation; art film
Sažetak
Fascinantan rad, život prepun stvaralačke strasti i dramatična smrt Vinsenta van Goga ne samo da su bili česta tema naučnih radova, već su godinama rasplamsavali maštu i velikog broja umetnika, a samo u oblasti filmskog stvaralaštva holandskom slikaru posvećeno je više desetina kratkometražnih i dugometražnih, dokumentarnih i igranih ostvarenja. U filmu 'S ljubavlju, Vinsent: Misterija van Goga' se, na osnovu umetnikove prepiske s bratom, interpretiraju događaji koji su prethodili njegovom tragičnom kraju na način koji argumentovano dovodi u pitanje održivost zvanične verzije njegove smrti, a u isto vreme, 'oživljavanje' njegovih slika pred očima gledalaca, pokušaj je da se interpretira način na koji je slikar doživljavao svet oko sebe. Cilj rada je da istraži ove dve interpretacije.
Abstract
The fascinating work, life full of creative passion and the dramatic death of Vincent Van Gogh, have not only been a frequent topic of scientific papers, but have also sparked the imagination of a number of artists. In the art of film making alone, dozens of short and featurelength, documentary and live action films have been dedicated to the Dutch painter. In the film 'Loving Vincent', based on correspondence between the artist and his brother, the eventsthat had preceded histragic end have been interpreted in a way that arguably questions the viability of the official version of his death. At the same time, the 'revival' of his canvases before the viewers' eyes represents an attempt to interpret the way in which the painter had perceived the world. The aim of this paper is to examine these two interpretations.
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Reference
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