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2014, br. 44-2, str. 133-142
The written-oral paradigm in the transcriptions of church music by Stevan Stojanović Mokranjac
(naslov ne postoji na srpskom)
Univerzitet umetnosti u Beogradu, Fakultet muzičkih umetnosti, Katedra za muzikologiju i etnomuzikologiju

e-adresaivanabperkovic@gmail.com
Projekat:
Identiteti srpske muzike u svetskom kulturnom kontekstu (MPNTR - 177019)

Ključne reči: Stevan Stojanović Mokranjac; Serbian chant; oral-written paradigm; Walter Ong; musical cognition; musical memorization; Octoechos; formulae; musicology
Sažetak
(ne postoji na srpskom)
The question of the relation between the written and oral media of communication finds its application not only in linguistics, but also in philosophy, sociology, ethnology and other areas. Other possibilities for applying this theory in musicology were noted some fifty years ago, but when it comes to church music, such issues have not yet been subject to wider examination. This text considers the musicological implications of orality, literacy and "secondary literacy" in the collection of Serbian church chant transcribed and published by Stevan Stojanović Mokranjac. Psychodynamic elements of the oral-written/ literal paradigm, with a special emphasis on the latter, are analyzed, with the aim of defining a different context for the understanding of Mokranjac's specific approach to chanting tradition.
Reference
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Perković, I. (2014) Serbian Chant on the Threshold: The Dialogue Between Orality and Literacy. u: Vasiliu Laura [ur.] Musical Romania and the Neighbouring Cultures: Traditions - Influences - Identities, Frankfurt am Mein: Peter Lang
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O članku

jezik rada: engleski
vrsta rada: članak
DOI: 10.5937/newso1444133P
primljen: 28.09.2014.
prihvaćen: 17.12.2014.
objavljen u SCIndeksu: 01.07.2021.