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Playing the game with aleatorics and narrativity: Linaia-Agon by Iannis Xenakis
(naslov ne postoji na srpskom)
Belgrade Festivals Center-CEBEF, Belgrade

e-adresajelenaforfree@gmail.com
Ključne reči: Iannis Xenakis; Linaia-Agon; "game pieces"; Roger Caillois; game theory; probability theory; aleatorics
Sažetak
(ne postoji na srpskom)
In this article I examine the piece Linaia-Agon for brass trio (1972) by Greek-French composer Iannis Xenakis, one of only three pieces by this composer, which are commonly referred to in literature as "game-pieces", from the perspective of Roger Caillois' typology of games, stemming from the social sciences, as well as from the framework of the mathematical game theory and its branch probability theory. Xenakis' "game pieces" belong to the field of controlled aleatorics, because they employ a certain level of indeterminacy; here I argue that it is precisely in this aspect of indeterminacy that their nature "as games" is revealed. I am concerned with the "translation" of the Ancient Greek legend about the musician Linos and the God Apollo - and of the mathematical calculations - into the language of the West European avant-garde music of the second half of the 20th century.
Reference
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Delio, T. (1987) Structure and strategy: Iannis Xenakis'Linaia-Agon. Journal of New Music Research, 16(3): 143-165
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Thelin, H. (2016) A new world of sounds: Recent advancements in contemporary double bass techniques. u: Programme for research fellowships in the arts in collaboration with the Norwegian academy of music, http://haakonthelin.com/multiphonics/the-story-ofzab/part-l-the-story-of-zab/section-3-a-brief-retrospect-of-instrumental-theatre (accessed on 12 December 2016)
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O članku

jezik rada: engleski
vrsta rada: neklasifikovan
DOI: 10.5937/newso1648109J
primljen: 05.10.2016.
prihvaćen: 19.12.2016.
objavljen u SCIndeksu: 18.06.2021.

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