• citations in SCIndeks: 0
  • citations in CrossRef:0
  • citations in Google Scholar:[]
  • visits in previous 30 days:2
  • full-text downloads in 30 days:2


article: 1 from 2  
Back back to result list
2019, iss. 163, pp. 166-175
Art and money: Theatres in Belgrade over the period 1945-1980
University of Novi Sad, Academy of Arts, Serbia
Keywords: state cultural policy; state funding of theatre institutions; Belgrade theatres 1945-1980; market orientation of the theatres; theatre repertoire; theatre audience
During the examined period, the state exercised ideological control over all segments of public life including artistic creation. This control was particularly pronounced in the years following the Second World War, even though it was present throughout the entire period. In theatres, it was expressed through various forms, of which the most significant were political censorship on the one hand, and on the other, their dependence on state financing. Since a lot has already been written on the significance of the ideological factor, we will instead focus on the influence of the financial circumstances on the formation of theatre repertoires in Belgrade, between 1945 and 1980. Roughly speaking, two major phases were identified. The first one, the period of centralization, was the period of strong state control of the theatre repertoires in Belgrade, also accompanied with firm financial support. The other period, the period of decentralization, allowed theatres to create their repertoires more freely, but also meant that they had to partly obtain financing from other sources.
*** (1979) Osnove politike dugoročnog razvoja kulture u Beogradu, nacrt. Beograd: GRO Glas
Colbert, F., Stjames, Y. (2014) Research in arts marketing: Evolution and future directions. Psychology and Marketing, Vol. 31(8), p. 567, (08.maj 2019)
Ćirilov, J. (2001) Multimedijalna monografija o 35 godina festivala, BITEF 1967-2001. Beograd: Bitef teatar
Ćirilov, J. (2002) Novi pozorišni poredak. Politika, 21. 09. 2002
Dimić, Lj. (1988) Agitprop kultura. Beograd: Rad
Ikonomova, V. (1991) Marketing u pozorištu. Beograd: Zavod za proučavanje kulturnog razvitka
Jovanović, Z.T. (2001) O našim pozorišnim zakonima. Ludus, vanredno izdanje, Beograd: Savez dramskih umetnika Srbije
Klaić, D. (1989) Teatar razlike. Novi Sad: Sterijino pozorje
Nemanjić, M. (1991) Filmska i pozorišna publika Beograda. Beograd: Zavod za proučavanje kulturnog razvitka
Prnjat, D. (2013) Kulturna politika. Beograd: Akademija umetnosti
Prnjat, D. (2010) How much can arts education affect the decisionmaking process when choosing classical or popular music?. in: UNESCO 2nd World Conference on Arts Education, Seoul 25--28 May, (12.jun 2018),
Prnjat, D. (1993) Kulturna politika i pozorišna cenzura u Beogradu (1945-1980). Beograd, magistarska teza
Radonjić, R.S. (1996) Teatar u vremenu. Novi Sad: Prometej
Selenić, S. (1973) Jedna četvrtina veka. in: Jugoslovensko dramsko pozorište, dvadeset pet godina rada, Beograd: Jugoslovensko dramsko pozorište
Tausi, R. (2012) Ekonomika kulture. Beograd: Clio
Volk, P. (1990) Pozorišni život u Srbiji - 1944-1986. Beograd: Institut za pozorište, film, radio i televiziju
Volkerling, M. (1996) Deconstructing the difference-engine: A theory of cultural policy. International Journal of Cultural Policy, 2(2), 189-212, Warwick:Center for Cultural Policy Studies, University of Warwick


article language: Serbian
document type: Original Scientific Paper
DOI: 10.5937/kultura1963166P
published in SCIndeks: 10/10/2019

Related records

No related records