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2011, iss. 133, pp. 276-288
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Postmodern theory and film
Postmoderna teorija i film
University Singidunum, Academy of Fine Artes, Belgrade, Serbia
Abstract
The main aim of this paper is to demonstrate postmodern concepts exemplified in contemporary film. The first part of the work discusses both the notion of intertextuality recognized as the linchpin of defying postmodern film, and the double coding theory. The most important authors belonging to the field of literary criticism and social theories who significantly contributed to understanding of postmodern textuality are also spotlighted in this part of the work. The second part of the work represents analytic frame where entries of postmodern film are given. The third part of the work is actually a debate on when to start with postmodern analysis along with the argument about what postmodern film actually is and which cinematic directions can be regarded as postmodern film precursors.
Sažetak
Rad ima za cilj da predstavi postmodernu teoriju na primeru filma. U prvom delu rada raspravlja se o pojmu intertekstualnosti, koji je određen kao suštinski u definisanju postmodernog filma, kao i o teoriji dvostrukog kodiranja. Takođe, u ovom delu rada skrenuta je pažnja na najznačajnije autore iz oblasti književne kritike i društvene teorije koji su doprineli razumevanju postmoderne tekstualnosti. Drugi deo rada predstavlja analitički okvir u kome su date odrednice postmodernog filma. Treći deo rada je rasprava o tome kada bi u analizu postmodernog filma trebalo krenuti, ali i šta bi bio postmoderni film u punom smislu te reči, a koji kinematografski pravci se mogu smatrati pretečama postmodernog filma.
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