|
Reference
|
1
|
Adorno, T. (1991) The Culture Industry: Selected Essays on Mass Culture. London and New York: Routledge
|
8
|
Benjamin, W. (1974) Eseji. Beograd: Nolit
|
|
Bishop, C. (2012) Participation and Spectacle: Where are we now?. u: Thompson N. [ur.] Living as Form: Socially Engaged Art from 1991 to 2011, New York: Creative times, : 34-45
|
|
DCMS (1998) Creative industries mapping document. London: Department for Culture, Media and Sport
|
|
DCMS. (2009) Creative Industries Economic Estimates Statistical Bulletin. London, UK: Department of Culture, Media and Sport
|
3
|
Debord, G. (1967) La société du spectacle. Paris: Buchet/Chastel
|
|
Dragićević, Š.M. (2012) Za kulturu, protiv kreativnih industrija. Beograd: Academica, http://www.madmarx.rs/DragicevicSesicMilena_Za-kulturu-protiv-kreativnih-industrija_2012.pdf
|
4
|
Dragićević-Šešić, M., Stojković, B. (2007) Kultura-menadžment, animacija, marketing. Beograd: Clio
|
15
|
Đorđević, J. (2009) Postkultura - uvod u studije kulture. Beograd: Clio
|
2
|
Đukić, V. (2009) Država i kultura studije savremene kulturne politike. Beograd: Fakultet dramskih umetnosti
|
|
EC (2010) GREEN PAPER: Unlocking the potential of cultural and creative industries. Brussels: European Commission
|
|
EC (2010) Europe 2020: A strategy for smart, sustainable and inclusive growth. Brussels: European Commission
|
|
EC (2012) European Audiences: 2020 and beyond. Luxembourg: Publications office of the European Union
|
24
|
Fisk, D. (2001) Popularna kultura. Beograd: Clio
|
|
Frith, S. (1983) Sound effects: Youth, Leisure and the politics of rock. London: Constable
|
|
Garnham, N. (2005) From Cultural to Creative Industries: An analysis of the implications of the 'creative industries' approach to arts and media policy making in the United Kingdom. International Journal of Cultural Policy, 11(1): 15
|
|
Hartley, J., Cunningham, S. (2001) Creative industries: from Blue Poles to Fat Pipes. u: Gillies Malcolm [ur.] The National Humanities and Social Sciences Summit: Position Papers, Canberra: Department of Education Science and Training
|
|
Hartli, Dž. (2007) Kreativne industrije. Beograd: Clio
|
|
Hesmondhalgh, D., Pratt, A. (2005) Cultural industries and cultural policy. International Journal of Cultural Policy, 11(1): 1-1
|
|
Hoggart, R. (1990) The uses of literacy. Harmonsworth: Penguin
|
|
Horkhajmer, M. (1978) Art and mass culture. u: Davidson P., Mayersohn R., Shils E. [ur.] Literary taste, culture and mass communication, Cambidge: Chadwyck Healy
|
|
Horkhajmer, M., Adorno, T.V. (1989) Dijalektika prosvjetiteljstva (Filozofijski fragmenti). Sarajevo: Svjetlost
|
|
Janković, A.S. (2009) Dug i krivudav put – Bitlsi kao kulturni artefakt. Beograd: Red Box
|
2
|
Jovičić, S., Mikić, H. (2006) Kreativne industrije preporuke za razvoj kreativnih industrija u Srbiji. Beograd: British Council, http://www.britishcouncil.org/british_council_-_creative_industries-2.pdf
|
|
Koković, D. (2006) Kulturni kapital i nadoknađujuće obrazovanje. u: Nikolić M., Spasić I. [ur.] Nasleđe Pjera Burdijea – pouke i nadahnuća, Beograd: Institut za filozofiju i društvenu teoriju i Zavod za proučavanje kulturnog razvitka, : 39-48, http://instifdt.bg.ac.rs/tekstovi/knjige/Burdije.pdf
|
6
|
Marcuse, H. (1976) One-dimensional man: Studies in the ideology of advanced industrial society. London and New York: Routledge, 2nd
|
2
|
Marks, K. (1964) Kapital - kritika političke ekonomije. Beograd: Kultura
|
|
Mato, D. (2009) All Industries are cultural - A critique of the idea of ‘cultural industries' and new possibilities for research. Cultural Studies, 23(1): 70
|
2
|
Mcguigan, J. (1992) Cultural populism. London and, New York: Routledge
|
1
|
Mcguigan, J. (1996) Culture and the public sphere. London and, New York: Routledge
|
|
Mcguigan, J. (2009) Cool capitalism. NewYork: Pluto press
|
|
Miller, T., Yudice, G. (2002) Cultural policy. London: Sage Publications
|
8
|
Nye, J. (2004) Soft Power: The means to success in world politics. New York: Public Affairs
|
|
O`connor, J. (2010) The cultural and creative industries: a literature review. Newcastle upon Tyne: Creativity, Culture and Education, 2nd
|
2
|
Storey, J. (2009) Cultural Theory and Popular Culture: an introduction. Harlow, England: Pearson Longman, 5th
|
|
Tomka, G. (2010) Dve strane globalizacije: istost vs. raznovrsnost. TIMS Acta, 4: 26-32
|
|
Tomka, G. (2012) Kultura i lokalni razvoj. u: Tomka G., Jegdić [ur.] Turizam i lokalni razvoj, Novi Sad: Fakultet za sport i turizam
|
|
Tomka, G. (2013) Obrazovanje za kreativne industrije. u: Đerić M. [ur.] Kulturne industrije i kulturna raznolikost, Bela knjiga, Beograd: Bela knjiga, Academica, : 115-129
|
|
UNESCO (1982) Cultural industries: a challenge for the future of culture. Paris: UNESCO
|
1
|
Velimirović, T. (2008) Kultura i/ili obmana (dijalektika prosvetiteljstva). Filozofija i društvo, vol. 19, br. 1, str. 305-322
|
|
Williams (2009) The Analysis of culture. u: Storey J. [ur.] Cultural theory and popular culture, Harlow: Pearson Education
|
|
Witkin, R.W. (2003) Adorno on popular culture. London and New York: Routledge
|
|
|